Michelle Larsen Highlights 3D Printable Sculptural Art as the Next Big Trend in Interiors and Retail
Artist Michelle Larsen has announced that, in 2026, dimensional 3D wall art and 3D printable sculptural design will emerge as influential elements in retail décor, commercial interiors, and cinematic visual environments.
Larsen notes a growing industry emphasis on depth and tactile visual impact. “Dimensional art is beginning to shape the next design cycle,” she said. “Demand is shifting toward texture and form, and my work has lived in that direction for over fifteen years.”
Recognition and Commercial Potential
Rather than signaling a new product, this announcement reflects a broader industry trend. With advancements in large-format 3D printing and commercial relief manufacturing, Larsen’s sculptural originals are increasingly adaptable for commercial applications. Each piece begins as a hand-sculpted painting, then is transformed into a physical model suitable for 3D scanning or depth mapping, enabling adaptation for retail wall art collections, hospitality installations, theaters, and branded environments.
Her works have garnered international recognition, including features in ArtTour International Magazine, multiple “Top 60 Masters of Contemporary Art” accolades, and a display on a Times Square NASDAQ billboard.
“Design teams and retailers are actively looking for what’s next,” says Clara Whitmore, Public Relations Director for Michelle Larsen Studios. “Michelle’s dimensional originals offer exactly that: a new visual language positioned for commercial scale.”
3D Printing for Wall Art and Sculptures
The rise of dimensional and 3D printable art is mirrored in recent large-scale architectural and sculptural projects. At the entrance of Dubai’s Jumeirah Marsa Al Arab hotel, Studio RAP has created Blue Voyage, a large-scale 3D printed ceramic installation. The two walls, each six meters high and nine meters long, act as a sculptural threshold between exterior and interior, drawing inspiration from the nearby Gulf by translating the movement of water into fluid, wave-like forms.
The installation is composed of approximately 900 ceramic tiles, all parametrically designed and 3D printed at Studio RAP’s Rotterdam facility. The production process ensured precise fit and consistent surface quality, while corner tiles were crafted to maintain pattern continuity.
Similarly, Canada is seeing advances in 3D printed masonry with the University of Waterloo’s Hive wall. Made from 175 unique clay blocks, this modular wall combines computational design with extrusion-based 3D printing and serves as a permanent installation in the Toronto office of the Investment Management Corporation of Ontario (IMCO). The project leverages clay’s natural fluidity and malleability, allowing designers to create material-efficient structures with detailed textures and complex geometries.
